Tag Archives: Iain Overton

Justice denied is justice denied

Charlie Beckett writes: George Entwistle is gone but how to rebuild confidence in the BBC? and disturbingly proposes:

The NHS and schools have seen structural revolutions – why not the BBC? It is time for this tired old fortress to be opened up.

Is this crisis going to be the Tory excuse to destroy the BBC as they destroyed the NHS in England?

Steven Messham apologised: Newsnight apologised: George Entwhistle resigned. But who actually set the story going?

According to the Guardian, it was Iain Overton:

As the wine flowed at the Oxford Union, the stage was set for what would soon become a broadcasting disaster. The motion before the undergraduates had been “British politics is in the pocket of the media”, and, in the exhilarated post-debate atmosphere, one dinner-jacketed journalistic insider who had come from London to speak could no longer contain his piece of political gossip.

Iain Overton, head of the small non-profit Bureau of Investigative Journalism, said the next evening’s Newsnight was going to expose a top Tory as an abuser of teenage boys at a north Wales care home. According to one of those present, Michael Crick, former Newsnight journalist and now the Channel 4 News political editor, asked: “Do you mean McAlpine?” “Well, you said it,” Overton replied.

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Filed under Children, In The Media, Poverty

Naked Harry in the Sun

So many years ago that I can’t find it on Youtube or on IMDB, Jasper Carrott, who invented the “Sun readers” jokes, did a sketch on Carrott’s Lib of himself and another stand-up putting on huge Australian accents and talking about the bloody Poms, sex, and the Royal Family.

This was about Kathleen Dee-Anne Stark, actress and photographer, stage name Koo Stark, who appeared at the age of 20 in Emily, soundtrack by Rod McKuen:

Evocative of the Roaring Twenties, “Emily” is an erotic coming-of-age film featuring meticulous period detail and music. The sharp class distinctions of British society are blurred by the universal nature of sexual desire.

You may also remember her as Lady Sabrina Mulholland-Jjones from Red Dwarf.

Emily includes full-frontal nude scenes. So when, a few years later, Prince Andrew and Stark had an affair, the British newspapers had a huge ethical decision before them. Not whether or not to report on the affair – the British have always regarded the sex lives of the British Royal Family as our own personal reality show – but whether to use stills from Emily when running stories about Prince Andrew’s latest girlfriend, headlined “Randy Andy”.

For The Sun, I suppose the ethical dilemma consisted of whether or not to use the Stark naked pics on the front page.

One of the exchanges from that Carrott sketch was “Is that what they’ll put on the stamps?”- “You never can tell with the bloody Poms!”
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